AINO AALTO, lasiston osia, 22 kpl, "Bölgeblick", lasia, Karhula. Bukowskis
Notable examples include Alvar Aalto's sculptural Savoy Vase of 1936 and Aino Marsio-Aalto's Bölgeblick series of pressed glass objects. The exhibition also includes a video documentary of Alvar Aalto's famous Stool 60 , whose L-shaped legs required the development of new wood-bending techniques in 1933.
AINO AALTO, KANNA, glas, "Bölgeblick". I produktion 19351938. Bukowskis
Some of the Aaltos' popular designs displayed in the exhibition include the famous Bölgeblick glassware series (Aino Aalto, 1932, Alvar Aalto Foundation). Bölgeblick, which is Swedish for "water ripples" (Aalto is Finnish for "waves"), features a slightly wide-tiered design on a ripple-ringed surface that reflects light elegantly.
AINO AALTO, vas, "Bölgeblick", glas, Karhula, formgiven 1932. Bukowskis
Aino Aalto drinks glass 22 cl 2-pack, linen. $25. On backorder. Iittala. Aino Aalto drinks glass 22 cl 2-pack, dark grey. $25. In stock. Aino Aalto | Aino Aalto is one of Finland's most renowned designers- famous for the glassware "Bölgeblick". Today, the range is known as the "Aalto" range.
AINO AALTO, vas, "Bölgeblick", glas, Karhula, formgiven 1932. Bukowskis
Physical description. Clear colourless glass tumbler and saucer. Tumbler has flared sides. Style. 20TH CONT. Gallery label. Tumbler and saucer Bölgeblick, press moulded Finland, designed by 1932-6, in production until about 1955 designed by Aino Aalto, for Karhula-Iittala glassworks (C.374 :1,2-1993) . (18/06/2009) Production.
AINO AALTO,skål, "Bölgeblick", Karhula Glasbruk, 1930tal. Bukowskis
Alvar & Aino Aalto Pioneers of the Modern style.. The Bölgeblick glass series (1932) and Aalto vase (1936) made in collaboration for the Iittala glass company have become design staples of Finnish households. The Artek furniture company, specialising in curving laminated wood furniture was formed in 1935. Aino acted as head designer and was.
AINO AALTO, vas, "Bölgeblick", glas, Karhula, formgiven 1932. Bukowskis
Aino Maria Marsio-Aalto (born Aino Maria Mandelin; 25 January 1894 - 13 January 1949) was a Finnish architect and a pioneer of Scandinavian design.. Aalto's "Bölgeblick" design serves as inspiration for a line of dinnerware produced by the Finnish decor company Iittala. Spouse and frequent collaborator of Alvar Aalto. Nationality
AINO AALTO, A set of 12 'Bölgeblick' glass plates, first half of the 20th century. Bukowskis
The glass ranges bearing the name "Aino Aalto" and still in production are based on Aino's Bölgeblick pressed-glass range designed for the Karhula-Iittala competition in 1932. Other glass objects designed by Aino, but subsequently taken out of production, are the Maija (1936) series of square serving platters and the Riihimäki Flower (1933) nested bowls and vases designed jointly with.
AINO AALTO,skål, "Bölgeblick", Karhula Glasbruk, 1930tal. Bukowskis
In 1932 Aino placed second in a competition held by manufacturing firm Karhula—which later merged with Iittala—for her Bölgeblick line of affordable utility glassware. Decorative and functional, the simple ribbed exterior of each piece—inspired by the effect of a stone hitting water—allows the Pressed Glass 4644 (above) to be mass produced from molds in a mechanized pressing process.
AINO AALTO, KAADIN, lasia, "Bölgeblick". Tuotannossa 19351938. Bukowskis
Finally, the Aaltos' fastidious eye for detail, commitment to modernist ideals and close references to nature can be seen in Aino Aalto's Bölgeblick range of glassware. The complete range consisted of a pitcher, tumbler, sugar bowl, creamer, plates and bowls of various sizes, and possibly a vase.
AINO AALTO, LAUTASIA, 6 kpl, ja MALJOJA, 2 kpl, "Bölgeblick". Malli muotoiltu 1932. Bukowskis
Glass Bowl, designed by Aino Aalto, for Karhula-Iittala glassworks, Finland, 1932-1955. Skip to main content. Image of . License this image. To license this image or for more information please contact our Licensing team.. Bölgeblick. Bowl 1936 (designed), ca. 1936-ca. 1955 (made) Artist/Maker: Iittala (manufacturer)
264 AINO AALTO, Bölgeblick glassware collection
Aino Aalto and Alvar Aalto, Villa Mairea, 1938-1939, Noormarkku, Finland. Photo by Johanna Kokkola. Aino's most famous project indicated her focus on the practical aspect of design while retaining a very strong sensitivity to nature. The collection of glassware, called Bölgeblick, was inspired by the rings a stone makes when thrown into the.
264 AINO AALTO, Bölgeblick glassware collection
Plate, designed by Aino Aalto, for Karhula-Iittala glassworks, Finland, 1932-1955. Skip to main content. Image of . License this image. To license this image or for more information please contact our Licensing team. Email us. We can manage your request more quickly if you include the following information:. Bölgeblick. Plate 1932-1936.
264 AINO AALTO, Bölgeblick glassware collection
Standard Lamp with a white lacquered sheet-metal shade, brass upper section and wood stand, designed by Aino Aalto, produced by Oy Taito Ab, Helsinki, circa 1940s. This was the latest installment of our Designing Women series. Previously, we profiled Marianne Brandt, Belle Kogan, Nanda Vigo, Lora Lamm and Lella Vignelli.
AINO AALTO, BOWL, glass, "Bölgeblick", Karhula 1930s/1940s. Bukowskis
design to the competition, but lost out to Aino's Bölgeblick series. Aino's Bölgeblick series ultimately consisted of a pitcher, tumbler, sugar bowl, creamer, plates, and large bowls. The series gained immediate popularity and prompted other glass factories to copy them. The success
AINO AALTO, BOWL, glass, "Bölgeblick", Karhula 1930s/1940s. Bukowskis
Aino Maria Marsio-Aalto (born Aino Maria Mandelin; [1] 25 January 1894 - 13 January 1949) was a Finnish architect and a pioneer of Scandinavian design. [2] She is known as a co-founder of the design company Artek and as a collaborator on its most well-known designs. [3] As Artek's first artistic director, her creative output spanned textiles.
267 AINO AALTO, Bölgeblick glassware
Elastic standardisation was continuously present in the architecture of Aalto's studio, but in terms of Aino's own engagement, it became firstly obvious at the Milan triennial 1936 where she won the Grand Prix medal for the designof the stand as well as at the design competition in glass 1932 which she championed with glass sets Bölgeblick.
